But is DreadOut really unique? If so, in what ways? And if not, which known formulas, conventions and intermedial representations can be identified? While this thesis does not seek to construct the Indonesian context of the game as “too different/other” to be decoded, it rather aims to differentiate between the features and formulas aimed primarily at an Indonesian audience, the features which are globally sold as “truly Indonesian” and those which are adapted from existing international horror (video game) conventions. The planned indie game created quite a buzz in the indie- and horror-gaming scene, due to its genuine and mostly "new" setting and ghostly appearances.
They wanted to introduce new and “unique” experiences of Indonesian horror to the gamer audience. In December 2012, Bandung-based Company Digital Happiness turned to the internet community to promote and fund their planned Indonesian horror survival game DreadOut with a Indiegogo funding campaign.
Una cantidad significativa de etapas secretas, misiones secundarias y mini jefes para mantenerte absorto.¡Encuéntrate con NPCs tanto humanos como fantasmas en varias localizaciones cada una con su propia peculiaridad!.¡Resuelve las espeluznantes leyendas urbanas de la somnolienta ciudad de Lil!.
¡Enfréntate a jefes abominables que vagan por la dimensión sobrenatural!.Una nueva mecánica centrada en el combate utilizando objetos a la vuelta de la esquina como armas.Juega como Linda para cazar fantasmas con tu smartphone y desterrar todos los horrores que te encuentres.Linda emprende un viaje en el que se enfrenta a las amenazas más horribles de la humanidad mientras busca respuestas y la salvación. El sello que mantiene contenida a la monstruosa Serpiente Blorong se ha roto.
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